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Rock: The Primary Text: Developing a Musicology of Rock (Ashgate Popular and Folk Music Series) de Allan Moore,Remy Martin

Descripción - Reseña del editor This thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore's Song Means (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's 'primary text' - its sounds - is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock. Biografía del autor Allan F. Moore is Professor Emeritus in Music at Surrey University and holds various Visiting Professorships. He is best known for work on the analysis and hermeneutics of popular music, particularly in major monographs (Rock: The Primary Text; Song Means), 70 academic papers and 70 (mainly BBC) broadcasts, and also in overseeing various edited collections (Bloomsbury's forthcoming Handbook of Rock Music Research, Ashgate's Critical Readings in Popular Musicology and The Library of Essays in Popular Music). Long-time editor of Popular Music, co-founder of Twentieth-Century Music, he is on various other advisory boards, and edits Routledge's newly commissioned series Music's Interdisciplines.

Remy Martin is a Senior Lecturer at Leeds College of Music, where he lectures on a wide range of topics and music styles from analytic, cultural and philosophical perspectives. A graduate of the University of Surrey, Remy previously led popular music analysis and hermeneutics modules there. In his research Remy examines popular music listening experience, drawing from musicology, phenomenologically-oriented theories of embodiment, social theory, ecological psychology and ethics. After gaining early experience in punk and alternative rock bands, Remy went on to specialise in performance and has gigged as a rock, pop, folk and country guitarist.

Detalles del Libro

• Name: Rock: The Primary Text: Developing a Musicology of Rock (Ashgate Popular and Folk Music Series)
  
• Autor: Allan Moore,Remy Martin
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 17 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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Rock, the primary text : developing a musicology of rock ~ Publication date 2001 Series Ashgate popular and folk music series ISBN 0754602982 (hardcover : alk. paper) 0754602990 (pbk. : alk. paper) 9780754602989 (hardcover : alk. paper)

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Rock, the Primary Text: Developing a Musicology of Rock ~ This thoroughly revised second edition of Allan Moore's groundbreaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and .

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Rock, the primary text: developing a musicology of rock ~ Rock, the primary text: developing a musicology of rock. Add to My Bookmarks Export citation. Type Book Author(s) Moore, Allan F. Date 2001 Publisher Ashgate Pub place Aldershot Edition 2nd ed Volume Ashgate popular and folk music series ISBN-10 0754602982, 0754602990. 0754602982,0754602990,0754602982,0754602990. Preview. This item appears on .

Rock: The Primary Text - Moore Allan F. / Libro Routledge ~ Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles.

Rock: The Primary Text - Moore Allan F; Martin Remy ~ Rock: The Primary Text è un libro di Moore Allan F, Martin Remy edito da Routledge a ottobre 2018 - EAN 9781472462404: puoi acquistarlo sul sito HOEPLI, la grande libreria online.

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: Customer reviews: Rock: The Primary Text ~ Tomorrow Never Knows: Rock and Psychedelics in the 1960s by Nick Bromell, University of Chicago Press, 2000 Rock: The Primary Text: Developing a Musicology of Rock, 2nd ed. by Allan F. Moore, Ashgate Publishing Company, 2001 The Beatles: Sgt. Pepper’s Lonely Hearts Club Band by Allan F. Moore, Cambridge University Press, 1997

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Bibliografía Música Popular:Músicas Urbanas / La música ~ “Technology, politics and contemporary music: necessity and choice in musical forms”, In: Popular Music, nº 4, pp. 279-300. DENSELOW, Robin (1989). When the Music’s Over: The Story of Political Pop .

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Del Bombo Legüero a La Batería - Diego Madoery / Ritmo ~ MOORE, Allan (2001-2004) Rock: the primary text. Developing a musicology of rock; (revised edition). Buckingham (England): Ashgate Press. PORTORRICO, Emilio Pedro (2004) (2da. edic.) Diccionario Biogrfico de la Msica Argentina de raz folklrica. Buenos Aires. RODRGUEZ, Edgardo (2009) La arenosa: gnero y (des)arreglos.

Song Means: Analysing and Interpreting Recorded Popular ~ Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox .

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Innovacion y Cambio en Musica Popular / Rock and roll ~ 1 “Como sea el rock es una lengua viva, aunque su vocabulario no parece haberse ampliado mucho en los últimos años, mientras otras lenguas emparentadas o derivadas –desde el hip hop a la música electrónica- han crecido y generado sus propias jergas, estilos, públicos, y diccionarios. Indudablemente, la fragmentación de las audiencias es lo que, en principio, sugiere la idea del .

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